James Ensor
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

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James Ensor Nude at a Balustrade or Nude with Vase and Column oil painting


Nude at a Balustrade or Nude with Vase and Column
mk126 1880-85/1886-88
Painting ID::  37406
James Ensor
Nude at a Balustrade or Nude with Vase and Column
mk126 1880-85/1886-88
   
   
     

James Ensor The Oyster Easter oil painting


The Oyster Easter
mk126 1882 Oil on canvas 207x105cm
Painting ID::  37407
James Ensor
The Oyster Easter
mk126 1882 Oil on canvas 207x105cm
   
   
     

James Ensor The Entry of Christ into Jerusalem oil painting


The Entry of Christ into Jerusalem
mk126 1885 Drawing 206x150.3cm
Painting ID::  37409
James Ensor
The Entry of Christ into Jerusalem
mk126 1885 Drawing 206x150.3cm
   
   
     

James Ensor James Ensor in his studio,Painting the entry of Christ into Brussels oil painting


James Ensor in his studio,Painting the entry of Christ into Brussels
mk126 1888-89
Painting ID::  37412
James Ensor
James Ensor in his studio,Painting the entry of Christ into Brussels
mk126 1888-89
   
   
     

James Ensor The Entry of Christ into Brussels oil painting


The Entry of Christ into Brussels
mk126 889 Oil on canvas 252.7x430.5cm
Painting ID::  37413
James Ensor
The Entry of Christ into Brussels
mk126 889 Oil on canvas 252.7x430.5cm
   
   
     

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     James Ensor
     Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

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